- First Critical Commentary ever to the sonatas
- All known sources consulted including the printer's proofs to op. 69
- Large format (24.3 x 31 cm)

Michael Struck (Editor)
Johannes Umbreit (Piano reduction)
Frank Peter Zimmermann (Fingering and bowing for Violin)
Heinrich Schiff (Fingering and bowing for Violoncello)

Urtext Edition, Piano reduction, paperbound
with marked and unmarked string parts
Orchestral material from Breitkopf & Härtel

Pages 162 (VIII+52+34+34+34), Size 23,5 x 31,0 cm
Weight 670 g
HN 715 · ISMN 979-0-2018-0715-7

Bernhard van der Linde (Editor)
Hans Kann (Piano reduction, Fingering)

Urtext Edition, Piano reduction, paperbound
Orchestral material from Breitkopf & Härtel
Pages 177 (IV+103+38+16+16), Size 23,5 x 31,0 cm
Weight 727 g
HN 610 · ISMN 979-0-2018-0610-5

Lists:
Sonatas Op. 45
Sonata Op. 58
Variations Op. 17
Song without Words Op. 109

by Jennifer Thorp

George A. Speckert has arranged the loveliest Argentine tangos for cello with piano accompaniment. Among them are such classics as “El choclo”, gems by Eduardo Arolas and Rosendo Mendizabal, and lesser known titles such as “El día que me quieras” by Carlos Gardel – simple but effective for the cellist, concise and stylistically apt for the pianist.