153 Progressive Piano Pieces
Nos. 67-96
piano - English - Portuguese - Spanish - Japanese
composer: Bartok, Bela
preface: Bartok, Peter
Vol. 3
Product Line: Mikrokosmos
Pages: 56
The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.
In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartok's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.
The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty.
Content
- Foreword to the Definitive Edition
- Preface by the Composer
- Thirds against a Single Voice
- Hungarian Dance
- Study in Chords
- Melody against Double Notes
- Thirds
- Dragons´ Dance
- Sixths and Triads
- Hungarian Matchmaking Song
- Triplets
- In Three Parts
- Little Study
- Five-tone Scale
- Hommage à J. S. B.
- Hommage à R. Sch.
- Wandering
- Scherzo
- Melody with Interruptions
- Merriment
- Broken Chords
- Two Major Pentachords
- Variations
- Duet for Pipes
- In Four Parts (1)
- In Russian Style
- Chromatic Invention (1)
- Chromatic Invention (2)
- In Four Parts (2)
- Once Upon a Time...
- Fox Song
- Jolts
- Appendix: Exercises
- Appendix: Notes
Product Code
:
BH102732
Shipping Weight
:
0.30 kilograms
Disclaimer : Image(s) shown is (are) served as product illustration only. It is used for general guidelines for customer visualization.
Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy – with a twinkle in his eye – to produce his piano waltz “La plus que lente” (“The Slower-than-Slow”). Parisian publisher Durand brought Debussy’s piano waltz, issued in July 1910, to a wider public by publishing it that same year as a supplement to Le Figaro, as well as in arrangements (by others) for violin and piano and for piano, 4-hands