When he switched from the harpsichord to the fortepiano in the 1780s, Joseph Haydn found he had a rich palette of sound colours and dynamic variations at his disposal, and he employed them enthusiastically in his C-major Fantasy
153 Progressive Piano Pieces
Nos. 97-121
piano - English - Portuguese - Spanish - Japanese
composer: Bartok, Bela
preface: Bartok, Peter
Vol. 4
Pages: 56