Given Saint-Saëns’ talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role”
Editor: Wolf, Uwe
Product format: Performance score(s), Anthology, Urtext edition
Includes the following individual parts: Piano
Binding: Paperback
Pages / Format: XI, 89 S. - 31,0 x 24,5 cm