Given Saint-Saëns’ talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role”
Editor: Emery, Walter
Series: ABRSM Signature
• published within the ‘Signature’ Series, a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars
• including informative introductions and performance notes
Volume / Series: Gesamtausgabe der Werke von Antonín Dvorák V/3
Arranger: Burghauser, Jarmil / Cubr, Antonín
Product format: Performance score(s)
Includes the following individual parts: Piano
Binding: Stapled
Pages / Format: 31,0 x 23,5 cm