Given Saint-Saëns’ talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role”

By Maurice Ravel Edited by Maurice Hinson Series: Alfred Masterwork Edition Category: Piano Solo Format: Sheet Instrument: Piano Level: Early Advanced

By Béla Bartók Edited by Lynn Freeman Olson Series: Alfred Masterwork Edition Category: Piano Solo Format: Sheet Instrument: Piano Level: Intermediate

Editor: Ernst-Günter Heinemann Fingering: Hans-Martin Theopold Preface: François Lesure Pages: 19