Early evidence of Schubert’s interest in music of the past can be found in his “Fantasy in C minor” of 1811 (D 2 E), with its echoes of Mozart’s fantasy in the same key. A recurring motivic snippet in the virtuosic “Graz Fantasy” in C major (D 605 A), probably composed between 1818 and 1821, already foreshadows the monumental “Wanderer Fantasy” of 1822 (op. 15 - D 760).
Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy – with a twinkle in his eye – to produce his piano waltz “La plus que lente” (“The Slower-than-Slow”). Parisian publisher Durand brought Debussy’s piano waltz, issued in July 1910, to a wider public by publishing it that same year as a supplement to Le Figaro, as well as in arrangements (by others) for violin and piano and for piano, 4-hands