Given Saint-Saëns’ talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role”
To celebrate Froberger’s 400th birthday in 2016, we are presenting an attractive, handy volume containing four works from his pen. A toccata, a fantasia, and a canzona invite us on a musical journey of discovery into his early-Baroque musical world. The volume concludes with his well-known variations “auff die Mayerin”,