Given Saint-Saëns’ talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role”
EditorDürr, Walther
Language(s) of textGerman, English
Product formatPerformance score(s), Anthology, Urtext edition
Includes the following individual partsPiano
Volume / Series: Bärenreiter Sonatina Album, Volume 1
Editor: Wolters, Klaus
Product format: Performance score(s)
Includes the following individual parts: Piano