Capriccio in G “Acht Sauschneider müssen seyn” Hob. XVII:1
4 – medium
Piano Variations in A Hob. XVII:2
5 – medium
Piano Variations in E flat Hob. XVII:3
5 – medium
Piano arrangement of the 2nd movement from the Symphony Hob. I:81
4 – medium
Piano arrangement of the aria “Io son poverina” from La vera costanza
3 – easy
Piano arrangement of the 2nd movement from the Symphony Hob. I:79
4 – medium
Piano arrangement of the 3rd movement from the Symphony Hob. I:85
3 – easy
Piano arrangement of the 2nd movement from the Symphony Hob. I:85
3 – easy
Piano arrangement of the second part of the overture Hob. Ia:15 from La vera costanza
3 – easy
Adagio in F Hob. XVII:9
3 – easy
Piano arrangement of the final part of the Introduzione from La vera costanza
4 – medium
Piano arrangement of the 2nd movement from the Symphony Hob. I:53
3 – easy
Piano arrangement of the 4th movement from the String Quartet Hob. III:41 (“op. 33 No. 5”)
4 – medium
Capriccio (Fantasia) in C Hob. XVII:4
7 – difficult
Piano Variations in C Hob. XVII:5
4 – medium
Piano Variations (Sonata) f minor Hob. XVII:6
7 – difficult
Adagio in G Urfassung von Hob.XV:22II
6 – medium
Largo assai in E after Hob. III:74II
5 – medium
Poco adagio G major – after the variations on "Gott erhalte" Hob. III:77II
5 – medium
Andante in C after Hob.I:94II
4 – medium
Adagio in G nach Hob. I:93II
4 – medium
Menuett in C after Hob. I:97III
3 – easy
Appendix: Works of doubtful authenticity
Piano Variations in A major Hob. XVII:2: Additional variations from the first edition
2 – easy
Variations in D Hob. XVII:7
3 – easy
Piano Variations (Sonata) f minor Hob. XVII:6
Adagio in G Urfassung von Hob.XV:22II
Largo assai in E after Hob. III:74II
Poco adagio G major - after the variations on "Gott erhalte" Hob. III:77II
Andante in C after Hob.I:94II
Adagio in G nach Hob. I:93II
Menuett in C after Hob. I:97III
Appendix: Works of doubtful authenticity
- Piano Variations in A major Hob. XVII:2: Additional variations from the first edition
- Variations in D Hob. XVII:7
Product Code
:
HN224
Shipping Weight
:
0.70 kilograms
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Given Saint-Saëns’ talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role”
By Carl Czerny
Edited by Maurice Hinson
Series: Alfred Masterwork Edition
Category: Piano Collection
Format: Book
Instrument: Piano
Level: Intermediate / Advanced